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Last Updated April 06, 2020

Diane Arbus: A box of ten photographs

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INFORMATION
Website: Visit website
Address: Smithsonian American Art Museum
8th and F Streets, NW
Washington
Washington D.C.
DC 20001-450
USA
Telephone: +1 202 633 7970



Starts: 06 April, 2018
Ends: 27 January, 2019
Opening times: Daily 1130-1900 hrs
Price: Free
Genre: People and Portraits





DESCRIPTION
“They are the proof that something was there and no longer is. Like a stain. And the stillness of them is boggling. You can turn away but when you come back they’ll still be there looking at you.”

—Diane Arbus, 1971
In late 1969, Diane Arbus began to work on a portfolio. At the time of her death in 1971, she had completed the printing for eight known sets of A box of ten photographs, of a planned edition of fifty, only four of which she sold during her lifetime. Two were purchased by photographer Richard Avedon; another by artist Jasper Johns. A fourth was purchased by Bea Feitler, art director at Harper’s Bazaar, for whom Arbus added an eleventh photograph.

This exhibition traces the history of A box of ten photographs between 1969 and 1973, using the set that Arbus assembled for Feitler, which was acquired by SAAM in 1986. The story is a crucial one because it was the portfolio that established the foundation for Arbus’s posthumous career, ushering in photography’s acceptance to the realm of “serious” art. After his encounter with Arbus and the portfolio, Philip Leider, then editor in chief of Artforum and a photography skeptic, admitted, “With Diane Arbus, one could find oneself interested in photography or not, but one could no longer. . . deny its status as art. . . . What changed everything was the portfolio itself.”

In May 1971, Arbus was the first photographer to be featured in Artforum, which also showcased her work on its cover. In June 1972, the portfolio was sent to Venice, where Arbus was the first photographer included in a Biennale, at that time the premiere international showcase for contemporary artists. SAAM organized the American contribution to the Biennale that year, thereby playing an important early role in Arbus’s legacy.

John Jacob, the McEvoy Family Curator for Photography at SAAM, organized the exhibition. The catalogue, copublished with the Aperture Foundation, features an in-depth essay by Jacob that presents new and compelling scholarship and adds significant detail to the period between her death and the 1972 posthumous retrospective at MoMA.
A black and white photograph by Diane Arbus titled "Mrs. Gladys 'Mitzi' Ulrich with the baby, Sam, a stump-tailed macaque monkey"
Diane Arbus, A woman with her baby monkey, N.J. 1971, 1971, gelatin silver print, 14 7/8 x 15 in. Smithsonian American Art Museum; Museum purchase. © The Estate of Diane Arbus

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